FLIES BUZZING COINS CLINK Good Lord.

CAT MEOWS MISS LEMON: Later every morning, that lad, isn't he, Marina?

Disgraceful.

SHE SIGHS GEORGE: Is that the last of them, then, Sir?

I would have been quite happy to... JAPP: No.

I wanted to write them myself.

Seems only right.

Old friends, you see, George?

Old friends.

PAPERBOY: Extra!

Extra!

Read all about it!

World on the brink!

JAPP: Well, then... Captain Hastings?

A few words?

Really?

Me?

Oh.

Well, I don't really... Hard to know what to say, isn't it?

Gosh.

My friends.

HE CRIES SOFTLY I know.

To my master.

The best of masters.

To our dear friend.

To Monsieur Hercule Poirot.

God rest his soul.

MAN LAUGHS MAN LAUGHS MANIACALLY CHURCH BELL TOLLS INGLES: "I urge you to believe that I speak the truth, "that the world is in the grip "of sinister forces bent on tipping it into chaos.

"Beware.

Beware the Big Four."

Secret societies?

Sinister plans for world domination?

It's all a bit Bulldog Drummond, don't you think, Mr Tysoe?

TYSOE: At first, yeah, I did.

But I've had more letters since.

I think there's something in it.

You remember that locomotive that came off the rails, the Plymouth Express?

INGLES: Course.

My correspondent claims that was the work of the Big Four.

And the riots in India.

INGLES: Local agitators.

- Not according to these.

- A crank, young man.

The idea there's some sort of organising power controlling the world, it's a very common fantasy amongst paranoiacs.

Mr Ingles.

I've been doing some research.

Mr Tysoe, we stand on the edge of an abyss.

Germany, Italy.

A storm is gathering.

We've enough to worry about without some far-fetched nonsense like this.

Far-fetched?

Is it?

If you could go over to the left of the chessboard, please.

Sir.

HE CLEARS THROAT JAPP: Well, there's a sight for sore eyes.

Ah!

Mille tonnerres.

Mon cher Inspector Japp.

- Hello, Poirot.

- Ah, mon ami.

Mon ami.

It has been too long.

Far too long.

My dear Inspector Japp.

Assistant Commissioner now, if you don't mind.

Oh!

Pardon.

Pardon.

I've been following your progress with the interest most keen.

Oh, mon ami.

You are here in the capacity professional?

I'm not quite a spent force yet, Poirot.

- Ha!

- They still wheel me out for the occasional important assignment.

Lot of foreign bigwigs here tonight.

Mr Ryland over there's requested a discreet police presence for this chess match.

I must say, it's nice to get out from behind a desk, stretch the old pins again.

Though there won't be many more assignments like this, I fancy.

Well, you know, time, it catches up with us all, huh?

Perhaps also for Poirot the shadows are lengthening and the moment, it is come, to think of a life that is quiet.

You retire, Poirot?

Never.

You attract mayhem, always have done.

BOTH CHUCKLE Who's the lady?

Ah, that is the great Madame Olivier.

Ah, right, one of, er, Ryland's Peace Party johnnies.

One of your lot, isn't she?

- Comment?

- Belgian?

- Non.

She's French, not Belgian.

But in her field, she is the genius.

Her research into the nervous system, it is truly ground-breaking.

Hmm.

You might say she has the greatest brain in the Western world.

The greatest scientific brain, indeed.

Of course.

Ah, well, excuse me, Poirot.

Duty calls.

Assistant Commissioner.

Oh, pardon me, Sir.

Monsieur Poirot.

Madame Olivier.

May I introduce Stephen Paynter of the British diplomatic corps... Oh.

..an invaluable supporter of the Peace Party.

A cause most worthy, Monsieur.

And this is... Do remind me.

Dr Quentin, Mr Paynter's personal physician.

Quite the turnout, Madame.

You must be pleased.

We have done it together, all of us.

RYLAND: Ladies, gentlemen, may I welcome you to our informal little soiree on behalf of our guiding light and founder Li Chang Yen.

Now, ill health prevents him from leaving China, but he is with us in spirit.

We're all aware of the international situation, at the grave pass at which the civilised world finds itself.

Which is why we in the Peace Party see it as our mission, our duty, to avoid the lamps going out once again.

GUESTS: Hear, hear!

One day, years ago, I woke up and I realised that I hadn't a clue what to do with all my money.

GUESTS LAUGH Tell us how you got your money, Mr Ryland.

GUESTS MURMURING This is an invitation-only event, Sir.

You won't answer my telephone calls, Mr Ryland.

How else am I supposed to reach you?

This is intolerable.

TYSOE: Eh?

What are you hiding?

Who are the Big Four?

DOOR SLAMS Well... ..it seems that everyone wants to be here tonight.

GUESTS LAUGH And why wouldn't they?

To witness this demonstration of unity between East and West... ..via this ancient and beautiful game.

Now, I would like to thank our friend, the Russian ambassador, for coaxing our guest out of retirement.

May I introduce to you the illustrious Dr Ivan Savaranoff.

GUESTS APPLAUD - Oh!

- Who?

POIROT: Dr Savaranoff.

He is the greatest of the Russian Grandmasters.

You are not a player of chess?

No.

Dominoes is more in my line, Poirot.

APPLAUSE CONCLUDES Welcome, Sir.

JAPP: He's getting on a bit.

It is many years since he's been seen in public, mon ami.

I warn you, Sir, I may be an amateur, but I won't be beat without a fight.

HE SPEAKS IN RUSSIAN That's always been my motto.

Well, then, without further ado, let battle commence.

CHESS CLOCK CLICKS Pawn to king four.

CLOCK CLICKS Pawn to king four.

CLOCK CLICKS Knight to king's bishop three.

Knight to queen's bishop three.

WOMAN GASPS GUESTS CLAMOURING A doctor!

Someone call a doctor!

MADAME OLIVIER: Can I help, Monsieur?

I have some expertise.

I'm afraid it's too late.

He's gone.

They had trouble getting this out of his hand.

Rigor mortis, I expect.

POIROT: I expect so.

If you please to show Poirot the belongings of the old man.

Ah.

JAPP: I don't know what you're getting yourself so broody about, Poirot.

You only had to look at him to know he wasn't long for this world.

Natural causes, dicky ticker.

It says so here.

Quelle coincidence.

What's that?

The researches of Madame Olivier concern the effects of atropine and morphine and so on on the heart and the nervous system.

Ah, so that's what she meant by "expertise".

Oui.

But, alas, it was too late for her to save him.

So, after all these years of being a recluse, he agrees to travel halfway 'round the world for a publicity stunt.

I have no doubt that Dr Savaranoff was paid most handsomely.

Ah, but why was Ryland prepared to pay so much?

- You again.

- Yes, we were never formally introduced, were we?

Lawrence Boswell Tysoe, Associated Papers.

- Come on, son.

- Mon ami.

What is your interest here, Monsieur Tysoe?

Something fishy about the old man's death.

Dr Savaranoff died of natural causes.

Really?

Don't tell me the great Hercule Poirot would bother with something like this unless foul play was suspected.

If and when we have something to announce to the press, you'll be the first to know.

Don't be so hasty.

Play your cards right, maybe I can supply you with the truth about Abe Ryland, fill you in on the skeletons he's got hiding in his closet and what he knows about the Big Four.

What is this Big Four?

Ring me, Mr Poirot.

You won't regret it.

Ring me.

ANNOUNCER: Curtain up in five, ladies and gentlemen.

I'll have a word with someone.

Look, there she is.

MAN WOLF WHISTLES - Stop it, you terrible boys.

MAN: Got your number.

SHE GIGGLES Flossie, I say.

Those boys are just outrageous, aren't they?

Mm.

Did you ever play Juliet, Flossie?

Yes.

Quite recently, actually.

Oh.

Right.

You're not reading that rubbish again, are you?

It's not rubbish.

It gives me the horrors, all these rumours about another war.

Oh, almost forgot.

Reg asked me to give this to you.

Somebody must have left it at stage door.

FLOSSIE: A letter?

For me?

Must be fan mail.

Well, open it, then.

Ooh, even better, a valentine.

But it's April.

Oh, yes, so it is.

"Dear Flossie, "never forgotten, until we meet again.

"Four kisses."

Well?

Who is it from?

It doesn't say.

FLOSSIE CHUCKLES Monsieur Tysoe.

Knew you'd come.

Can't resist a scoop, eh?

You'd have made a good journalist, Mr Poirot.

I think Poirot has the wrong kind of morality for the work.

You're too modest, I'm sure.

S'il vous plait.

Monsieur Tysoe... ..you spoke of skeletons in the armoire of Monsieur Ryland.

Arm what?

Oh, I see, in the cupboard.

TYSOE CHUCKLES Well, let me tell you, Abe Ryland is not the man everyone thinks he is.

Real name's Abram Ryakhin, born in Kursk.

Appeared in America about 25 years ago, the outbreak of the Great War.

Changed his name... ..his voice, his whole identity.

So my question is, "Why?"

What is it that you know?

I know how he made his money.

Arms dealing.

- Huh?

- He made millions.

Selling weapons to the Allies and the Kaiser.

- You have proof of this?

- Naturally.

And maybe he was planning on doing the same thing again.

What is this Big Four that you mentioned?

Certain... ..information been coming my way.

Letters.

And what do they say, these letters?

Well, not so fast, now, not so fast.

I've shared my information on Ryland.

It's only fair you show a little reciprocity, wouldn't you say?

What is it you want?

Full access to your investigation.

I work alongside you and your copper pal.

Monsieur Tysoe, you seem to be a man who is ambitious, who is creative, and perhaps even with some level of intelligence.

That supposed to be a compliment?

But you are not a man of discretion, Monsieur.

Were we to share information, what would stop it from appearing in your newspaper?

It seems I'll have to play a lone hand in this investigation.

That would be foolish, Monsieur.

You would be wise to reveal what you know, for your own safety, if for nothing else.

I don't respond to threats, Mr Poirot.

If you change your mind, you know where to find me.

MADAME OLIVIER: You've let Li Chang Yen know what happened last night?

I've telegraphed.

Then there is nothing more we can do for now.

What is troubling you?

We have enemies out there, Regine.

Those who seek to destroy both us and our work.

'And I've learnt 'that in this life you can only trust number one.'

JAPP: They had trouble getting this out of his hand.

Rigor mortis, I expect.

Ruy Lopez... Assistant Commissioner Japp, s'il vous plait.

RYLAND: Will this take long, gentlemen?

I'm a very busy man.

Monsieur Ryland... Do you remember the exact succession of moves made by Dr Savaranoff?

Of course.

He used the Ruy Lopez opening.

It's the soundest in the game.

And Savaranoff was reputed to favour this?

RYLAND: Yeah.

So what?

If you please to tell us what was the third move of the white piece in this opening?

Bishop to queen's knight five.

Bon.

The exact move that sealed the fate of Dr Savaranoff.

If you please to be patient.

This.

It is the white bishop from the chess set, the exact piece that Dr Savaranoff was clutching in his hand when he died.

They look identical, no?

Two white bishops from the same chess set?

Ah.

There is a rather thin metal which passes up through this chessman.

What?

Et maintenant...

Observe.

POIROT GASPS The table, it is electrified, and so when Dr Savaranoff places the white bishop upon this particular silver square, the electric current passes through his body, killing him instantly.

- He was electrocuted.

- Oui, bien sur.

Regarde.

The table is clamped to the floor, so the current passes through it.

It is, en effet, the killing machine most elaborate.

From where was it obtained, may I ask?

You'd have to ask one of my staff, Monsieur.

I don't concern myself with such matters.

You do not concern yourself with the death of a man?

He was an old man.

Old men tend to die, in my experience.

JAPP: From natural causes, yes, not usually via electrified chess tables.

Now, you just listen to me.

If you truly believe Savaranoff was murdered and in this colourful way Monsieur Poirot suggests, that's your prerogative.

But if you are even suggesting that I had anything to do with it... ..then you're gonna have to get yourself some proof.

CAR ENGINE REVS Hello?

Could you put me through to Mr Tysoe, please?

BRAKES SQUEAL He isn't?

No, no message.

Thank you.

HE SIGHS, RECEIVER DINGS GEORGE: A Madame Olivier to see you, Sir.

Please to show her in, George.

GEORGE: This way, madam.

I shall come straight to the point, Monsieur.

You have seen this?

Ah.

"Does the great detective, Monsieur Hercule Poirot, "have suspicions regarding the death of Ivan Savaranoff?

"His enquiries currently revolve around "Abe Ryland and his mysterious Peace Party."

Calm yourself, Madame.

It is merely the tittle-tattle.

We have no evidence that Monsieur Ryland is involved.

There are those who seek to discredit all of us in the Peace Party, Monsieur.

I implore you, do nothing to aid these people.

TELEPHONE RINGS Excusez-moi, Madame.

Hercule Poirot speaks.

Ryland was meant to meet some German dignitary last night.

He never turned up.

- Comment?

'We haven't a clue where he's got to.'

He's gone, Poirot.

He's disappeared.

MAN LAUGHING MANIACALLY SHE SCREAMS Good afternoon, Sir.

You must be Meadows.

This is the local man on the case, Poirot.

It's an honour, Sir, and an honour to meet you, Mr Poirot, although I don't know that there's very much to interest you here.

Fairly grubby little murder if you ask me, and not too much doubt about who's to blame, neither.

The victim was Jonathan Whalley, something of a recluse and a... POIROT: Sinophile.

Yeah, whatever that is.

It means that he was a lover of all things Chinese, mon ami.

Ah, and this is the reason for our interest in this case, Inspector Meadows.

The late Monsieur Jonath Whalley was the author of this biography.

Have you got the details of the household, Inspector?

Well, there are two servants.

Robert Grant who's the, kind of, manservant.

He lives in.

And Betsy Andrews, housekeeper and cook.

JAPP: You've worked for Mr Whalley for some time?

Oh, years.

He was a queer old cove.

Kept himself to himself.

Had his little obsessions like they all do at that age.

Obsessions?

Crackers about all things Chinese.

JAPP: Did he ever marry?

Oh, no.

Can you imagine it?

What woman would have him?

Woe betide you if you tried to move one of his precious books or tidy up his bloomin' letters.

Were there any other friends or family?

Friends?

No.

He had a sister.

But she died.

There was a... a young nephew who came here to stay with him when he was orphaned.

That was before my time, though.

By all accounts, they didn't get on.

Madame Andrews, can you tell to us exactly what occurred this morning.

Precisement?

Er, Grant went out to get the milk, as he does every day.

I popped out to have a natter with Mrs Stubbs at Laburnum's.

She's buried two children, poor soul, and her husband's none too clever at the moment.

And which of you returned first?

Oh, that would be Grant.

He came in by the back door, put the milk in the larder... SHE HUFFS ..and then went into his room to read the paper and have a smoke.

So it was you who discovered the body, Madame?

Just... just there he was.

Poor soul, he'd been knocked silly and had his throat slit.

Oh, nasty, it was.

Very nasty.

Bon.

So the story about Grant going and fetching milk is true, at least, then.

Oui.

Ah.

- What is it, Poirot?

- Une jambe de mouton.

MEADOWS: Mutton, Sir?

- Oui.

Mm.

Still frozen.

There's ice on it.

MEADOWS: You're not suggesting he used a frozen leg of mutton to cosh the old gentleman, are you, Sir?

And then cut his throat with the wishbone?

What is the day, mon ami?

- The day?

- Oui.

Well, Monday, of course.

Oui, oui.

To commit a murder on a Monday, it is a mistake most grave.

Monsieur Robert Grant, he is in custody, non?

We've taken him in for questioning, yes.

Grant's story was that he went straight to his bedroom and that it was Betsy Andrews who discovered the body.

But, you see, then there's the matter of the footprints.

Whalley kept his most valuable Chinese curios locked in this cabinet here.

JAPP: And is it locked now?

Key's in the lock, Sir.

Mr Whalley kept it on his person on his watch chain at all times.

But someone has removed it.

Mr Whalley was fond of boasting that his most prized possession was a set of little ivory figures that he kept in here, 18th century apparently, and they're gone.

And this bloody footprint here... Oh, begging your pardon, Sir.

It's all right, Meadows.

We know what you mean.

Well, it matches exactly with Grant's boot.

And a footprint, which if Monsieur Grant were telling the truth, he could not have made.

Quite so, Sir.

So, you now have the opportunity and the motive.

All that you require now is that oh, so elusive element, the proof.

JAPP: The missing figures?

I have no doubt you will find them hidden in the room of Monsieur Grant, probably, underneath his bed.

Fancy seeing you here, Mr Poirot.

You seem to be everywhere at once.

May Poirot enquire what it is that you do here?

The news of this crime, it has not yet been released.

I'm here for the same reason you are.

Indeed?

Whalley knew something.

Something dangerous, that much is obvious.

So somebody got him out of the way.

And it was your source who once again gave to you this tip-off?

I'm in possession of certain information, yeah.

Well, well, if it isn't the proverbial bad penny.

Assistant Commissioner.

I presume you can account for your movements at the time of Mr Whalley's death?

That's uncalled for.

Oh, we've got him now, Sir.

Honest to God, I never did it.

It's a frame-up, that's what it is.

I came back and went straight to my room, like I said.

I never knew anything till Betsy screamed, so help me God I didn't.

If you do not tell the truth, then that is the end of it.

- But, guv'nor... - No, Monsieur.

You did go into the drawing room.

You did know that your master was dead.

And you were preparing to make a bolt for it when Madame Andrews made the discovery so terrible.

Come, now.

Is that not so?

I say solemnly to tell to me the truth now.

It is your only chance.

Yeah.

It's just as you say.

- Bon.

DOOR OPENS Mr Whalley?

'I came in and went straight over to the master, 'and there he was, dead on the floor, blood all around.

'Then I got the wind up proper.'

They'd ferret out my record, and for certainty they'd say it was me who'd done him in.

And the figures of ivory?

GRANT: 'They was gonna blame the murder on me anyway.

'The master had said how they was worth a lot of loot.

'I might as well go the whole hog.'

Then before I could make a run for it, Betsy was back and screaming the place down.

MEADOWS: You expect us to believe all that, Grant?

You ought to be ashamed of yourself telling such bare-faced lies to an important man like Mr Poirot here.

Monsieur Grant, when were you released from prison?

Two months ago.

And how did you obtain your position in the household?

Through one of them prisoners' help societies.

Bloke met me when I come out.

He's said this before, Poirot.

There's no record of any such society placing him with Jonathan Whalley.

GRANT: I swear it, Sir.

It was a pastor, a priest.

Do you recall what he looked like, this pastor?

No.

I'm sorry, Sir.

He just sort of looked middling height, ordinary, you know?

I'm afraid I must go ahead and charge this man, Sir.

No.

If you do, Inspector Meadows, you will charge the wrong man.

Monsieur Grant is not the killer.

Thank you, Sir.

I knew you'd believe me.

Hmm.

Merci.

Sir, I've been thinking this over and it doesn't add up.

If it's not Grant, well, no one else approached the cottage all morning.

The neighbours' curtains twitch like billyo here in Hoppaton.

If there'd been a stranger come into the house, well... You're not suggesting Betsy Andrews?

Poirot will describe for you the killer of Jonathan Whalley.

The murderer was a man who was clever, oh, very clever.

'First, he posed as a prison visitor.'

Then he obtained a post for Monsieur Grant, with the deliberate intention of making him the scaping goat.

'Then he gave to him a pair of boots, 'one of two pairs that were duplicate.

'The other he kept for himself.'

Then he drove up outside the house in a van.

'Leaving it in full view, 'he entered the house, committed the murder 'wearing the boots identical.

'Then he drove away.

'This man, he wore a hat of straw 'and his clothing was slightly bloodstained.'

But, Poirot, the whole village would have seen him.

Vrai dire.

Everybody saw him, and nobody saw him.

He drove up in the van of a butcher.

This leg of mutton would not have remained frozen if it was delivered on Saturday.

Non.

Someone delivered this leg of mutton today, moreover someone on whom a trace of blood here and there would attract no attention.

Blimey.

I'll get round and arrest the butcher straight away.

No, no, no, do not trouble yourself, Inspector.

The real butcher would have made no such delivery today.

No, this is a business most dark, mes amis, and I fear we are only at the beginning of a long, long game.

MAN: Mr Tysoe!

MAN GROANS You cannot say you have not been warned, Monsieur.

I know.

That's why I'm here now and putting everything I've got in front of you.

It started with anonymous tip-offs.

Train crashes, riots.

I went to Ingles at the Foreign Office.

Dismissed it out of hand.

Then the messages started to become more cryptic.

Merci.

"The game will begin shortly, "a battle of wits, and then a king shall fall.

"Beware, beware, the Big Four."

That arrived along with a dossier on Ryland.

"A king shall fall."

Yeah, obviously referring to the chess game.

This was next.

JAPP CLEARS THROAT "Death will come to Hoppaton village.

"The dragon shall feast."

Jonathan Whalley of Hoppaton, he is found dead.

Someone on the inside was trying to tip me off.

Someone inside the Big Four turned traitor.

Now they've found him out and he's lying in a morgue with a knife in his back.

Have you identified the deceased man, mon ami?

No, nothing yet.

TYSOE: There's something else.

- Indeed?

TYSOE: This was inside his coat pocket, addressed to me just like all the others.

Well, that's where you should have left it.

That's evidence.

- Yeah, well.

Playing cards?

Of a kind, oui.

But the first one is of the origin Chinese.

And on it there has been scored the numero un.

Li Chang Yen.

Has to be.

Brains behind the so-called Peace Party.

POIROT: Deux.

That's a Chance card from a Monopoly set.

You don't have to be a genius to work that one out.

Ryland.

Le numero trois.

JAPP: Why does it say D and not Q?

Because this is from a French pack of playing cards, mon ami.

La dame.

Une dame francaise.

Et finalement, from the major arcana of the tarot... Quatre.

C'est la mort.

Death.

JAPP: Mrs Japp got dealt one like that on Southend Pier.

Gypsy Meg.

Three months later the cat died.

One, two, three, four.

Whoever the dead man was, he was trying to give me a clue to their identities.

JAPP: What is it, Poirot?

Do you not observe, mon ami?

The edge of this card, it is burnt.

FLOSSIE: "A toast to our future.

"All my love.

"Four kisses."

KNOCK AT DOOR Mm?

MANAGER: You're going to miss your cue if you're not careful.

Blast.

FAINT APPLAUSE Oh.

Ah Ling.

We can't wait any longer.

Please, ring the gong for dinner.

STEPHEN: You're asking too much of the new regime.

MADAME: OLIVIER: What are you saying?

Remember our dream, everything we talked about, all we can achieve.

I don't think I can go through with it.

- Stephen... - I don't have your certainty.

I'm not like you.

It's wrong, what we're doing, it's all wrong.

DINNER GONG RINGS Still no news of Mr Ryland, Madame Olivier?

Nothing at all.

And it is also very damaging to the party.

He should be protesting his innocence.

The newspapers are full of talk about the Big Four.

MADAME OLIVIER: No, it is nonsense.

STEPHEN: Quite.

QUENTIN: It's true that there is bad blood between America and Russia, though, isn't it, after Savaranoff's death?

I've been speaking with the Soviet ambassador, trying to calm things down, but... My husband the conciliator.

What would the world do without you, my dear?

STEPHEN: Let's hope we'll never find out.

QUENTIN: I'll drink to that.

FRONT DOOR CLOSES Oh, they're here.

I hoped they'd join us eventually.

It's really not that late, my dear.

So sorry.

So very, very sorry.

Can you ever forgive me, Auntie Di?

I was out with the chaps and time just ran away from me.

You're on your own, are you, Gerald?

I thought you were bringing Miss Struthers with you tonight.

Oh, good Lord, so I was.

Huh.

Well, Amelia will have sorted herself out.

She's probably had a better offer, what?

Or did I leave her at that blessed party?

Oh, well.

STEPHEN: You're here, Gerald, that's all that matters.

Why don't you sit down?

So sorry.

You must be la grande dame, Madame O.

Uncle Stephen speaks terribly highly of you.

You're staying for a few days, that's right.

I'm the black sheep of the family.

A pleasure to meet you, Gerald.

Oh, uh, yes, remind me again.

Oh, Gerald.

- The name's Quentin.

- Oh, of course, of course.

Uncle Stephen's sore bones.

Terribly sorry.

DIANA: Have you eaten, Gerald?

Ah Ling's finest curry?

Rather.

Fill up the bowl, my friend.

Now, where's the wine?

Anyone for a top-up?

WINE POURS INTO GLASS TYSOE: That's him, poor bugger.

Stabbed in the lower back with some force.

Kitchen knife.

But observe, mes amis.

Despite all the efforts of the staff in this mortuary to wash him down, the dirt, it is deep, it is ingrained.

TYSOE: He'd been on the run from the Big Four.

You're hardly going to stop and run a tub, are you?

And yet you say his clothes, his evening dress, they are of some quality, yes?

Very nice, yes.

Bit old-fashioned, mind.

Poirot, he would like to see them.

Sir.

It's been so kind of Uncle Stephen to take me on.

Don't you think, Madame?

Indeed.

Prodigal returns and all that.

It was the least I could do for my brother's boy.

HE SHUSHES It's all under the bridge now.

Family feud, forgiven and forgotten.

STEPHEN: I'm glad to have been able to make amends in some small way.

It's curious, most curious.

What is?

The cloth, it is of the quality most fine, and yet the fashion, it is of since 30 years.

No labels.

Non.

Ah.

TYSOE: What is it?

There's a fragment, that is all.

TYSOE: A name?

POIROT: Of a kind, oui, but... "E-R-M-A-N." Herman?

German?

You think he stole the clothes, some kind of disguise?

Now, mes amis, we must discover the identity of this man and find out his connection with the Big Four.

LIGHT SWITCH CLICKS DIANA: Stephen!

Stephen!

Stephen!

Unlock the door!

Ah Ling, hurry!

Stephen, answer me!

KEYS JANGLE DOOR UNLOCKS SHE SCREAMS, GASPS Oh!

What a terrible way for a man to die.

Ruddy odd if you ask me.

Why the fire?

I mean, it makes the face completely unrecognisable.

Oui.

Do you think that was the intention?

Poirot, he has thought of this, but... ..no, there seems little doubt that the dead person is Monsieur Stephen Paynter.

So, the killer comes into the room, pulls him off the bed and drags him over to the fire.

Not the easiest way to kill a man.

Constable.

There would have been a struggle tremendous.

JAPP: And screams, screams which nobody in the house admits to hearing.

POIROT: Who discovered the body?

Chinese manservant.

Chinese, Poirot.

And Diana Paynter, the wife of 30 years.

Smelt the smoke, apparently, from her own bedroom.

Alors Madame Paynter, she does not share the bed chamber with her husband?

Didn't you hear me, Poirot?

Thirty years.

To be honest, I think Mrs Japp would jump at this type of sleeping arrangement, if we had the room.

See here, Inspector, the finger?

A clue most bizarre, non?

Uh-huh.

Now, apparently Mr Paynter kept a notepad, a pen and a bottle of ink by his bedside, and this is what he wrote last night.

Dr Quentin, you were the personal physician of the late Monsieur Paynter?

That's correct.

Stephen had a heart condition, easily managed with the right medication.

But it was thought prudent that there should be someone on hand.

What has his state of mind been lately?

He'd been anxious.

All this stuff in the papers is enough to alarm anyone.

And now Ryland's vanished.

It's a great blow to the party.

When did you last see him alive, Doctor?

Around 11:30 last night.

He asked to see me before he retired to bed.

How did you find him?

QUENTIN: He was very agitated.

I suggested a tonic... ..but he said he just wanted to get to bed.

One final question, if I may, Doctor.

Merci.

Do you recognise this man?

He does look vaguely familiar.

For what reason?

He's something to do with the Peace Party, I think.

I met so many people through Stephen and his work that I really couldn't say for sure.

No, I don't know him.

Try to think carefully, Madame.

Perhaps you met him through your late husband and his work?

Stephen rarely thought to include me in his work, Monsieur.

I'm sorry I can't be any more help to you.

We do not wish to distress you, Madame.

I loved my husband, Monsieur.

But I realised some time ago that... ..my affection was no longer reciprocated.

Last night, I learnt for certain what I had suspected for some time... ..that he... ..that he... That he and Madame Olivier were conducting the love affair?

DIANA: How did you...

This Poirot had observed at the chess tournament.

I am so sorry, Madame.

JAPP: Did you hear any kind of disturbance in the night, Mr Paynter?

No.

Believe me, after the amount of booze I put away, it's a miracle I woke at all this morning.

Dead to the world, I was.

HE CHUCKLES Oh, dear.

Sorry.

Are you sure I can't get you anything?

Bit early for me, Sir.

Thank you all the same.

It would be for me too usually, but, you know, poor old Uncle Stephen.

You hear about these kind of freak accidents happening all the time.

Still, a shock when it happens to one of your nearest and dearest.

You think, then, that this was an accident?

Well, what else could it have been?

How did you and your uncle get on together?

Well, I don't feel I had the chance to get to know him properly.

I've only been here a few months.

Is that so?

Yes.

Father and Uncle Stephen fell out, you see.

There'd been an incident when I was only a nipper.

And do you know the nature of this incident?

Well, this.

A firework exploded in my face.

Father always blamed Uncle Stephen.

I don't even remember it, of course, but they never spoke again.

So he gets a tidy sum as a result of Paynter's death.

And the manner of his death, so violent and dramatic.

The fire that consumes the face of Monsieur Paynter, an echo grotesque of the burning of his own face.

And as he lies dying, Monsieur Paynter, he dips his finger into the ink and scrawls the letter G onto a notepad, a final, desperate attempt to indicate the identity of his killer.

Gerald did it for revenge and for the cash?

Non, non, mon ami.

A fourth murder with a connection to the Peace Party and the Big Four?

Non.

This is an attempt most crude to frame young Monsieur Gerald.

Mm.

Well, I suppose we'd better have the big one in.

I shall do all I can to assist you.

This is a terrible loss for the world, and for me personally.

Perhaps you can assist us, Madame, with the identity of this man?

He's not known to me, Monsieur.

Then, perhaps, you should take a closer look, Madame.

My eyesight is excellent.

I can assure you, I do not know who this man is.

Madame, we understand that before dinner last night you and Monsieur Paynter conversed in private?

Yes, we talked of the future of the Peace Party.

- That's a lie.

- Mrs Paynter, please.

I may not have your world-class brain, Madame, but I have sense enough to know when my husband is conducting a love affair behind my back.

Diana.

He wanted to finish it with you, and your pride couldn't bear it.

I heard him.

"It's all wrong.

I can't go on with this."

That's what he said.

I wouldn't be surprised if you killed him rather than let him come back to me.

- It is not true.

JAPP: Mrs Paynter.

Monsieur, surely you cannot believe... POIROT: We believe, Madame, that we are dealing with an organisation so ruthless that it will not hesitate to execute any who stand in its way.

If you know anything at all about the Big Four, I implore you to tell it to us.

You accuse me, Monsieur?

There is evidence to suggest, Madame Olivier, that one of the members of the Big Four is a woman, a French woman.

Gentlemen, I find your accusations contemptible and absurd.

You will try and prevent me if I leave?

No, I can't do that, Madame.

You're not under arrest.

You have not heard the last of this, not by any means.

Mille tonnerres!

We should not have antagonised her.

It is not yet the time.

"I can't go through with this.

It's all wrong."

Maybe he wasn't referring to their affair, Poirot.

So he was killed because he wanted no more to do with this organisation so sinister?

Where the hell is this going, Poirot?

We've got nothing to go on, nothing!

There must be a link, mon ami, a connection however abstruse between these cases, something that we have missed.

The link's obvious, Poirot.

It's the ruddy Peace Party.

If what Tysoe's mysterious source told him is true, then they're exactly the opposite of what they claim to be: fifth columnists working to start a war, not prevent one.

Poirot must think.

Think.

Assistant Commissioner Japp, Sir.

- Poirot, she's gone.

- Gone?

Who has gone, mon ami?

JAPP: Madame Olivier.

She's done a bunk, too, just like Abe Ryland.

No-one's seen hide nor hair of her since she left Paynter's place.

And there's something else.

We've had the tests back from Paynter's body.

He was drugged.

That's why he didn't cry out when his head was put in the fire.

The drug was very specific.

Gelsemine.

Gelsemine?

Non.

- What is it?

You recall the scientific researches of Madame Olivier?

They are concerned principally with the nervous system.

In small quantities gelsemine is used to treat the heart.

In large quantities, it induces paralysis and immobilisation of the nervous system.

That confirms it.

She's in on it, too.

It would appear so.

Such an eventuality, it is tragic, non?

To think that it is possible that such a woman... Never mind that.

We're making progress at last.

We've identified Number Three of the Big Four.

Oui.

MRS ANDREWS: You'll find everything exactly as it was.

Until you catch the fellow who done it, I'm not allowed to touch a thing.

And there remains no word from the nephew of Monsieur Whalley?

He does not return to claim his inheritance?

No.

Not that I'm surprised.

I mean, who'd want to live here knowing what had happened?

I wish he would show up, though.

There's boxes of junk just sitting up there.

DOOR OPENS, FOOTSTEPS APPROACHING Madame, you said before that he and his uncle, they did not get on?

So I gather.

Before my time, as I say.

And what became of him, Madame?

Oh.

Lived here till he was in his 20s, I think.

And then... SHE LAUGHS Maybe he went off and joined the circus.

SHE CHUCKLES Just give me a shout when you're done.

Merci, Madame.

- Oh, no, not again.

- Just give it to me later, Reg.

They're for you.

FLOSSIE: How lovely.

"My darling Flossie.

"Soon our time will come.

"Four kisses."

INAUDIBLE DIALOGUE Of course, there's no grace about the profession these days.

These young actors and actresses, they can't project.

They're used to speaking into a microphone for the wireless or for the talking pictures.

The profession can be a very cruel place.

Especially when the first bloom of youth has gone.

Do you go to the theatre, Mr Poirot?

Yes, indeed.

Well, then, you must have seen me.

I got wonderful reviews for my Eliza Doolittle.

"A confident and dazzling Miss Flossie Monro."

- Non.

- No?

- Non.

- Well, I did The Importance Of Being Earnest at the Vaudeville in '26.

I had a great success with that.

No.

Perhaps, something more recent?

More recent.

Well, erm, let me think.

Oh, I was at the Duke of York's a few years ago in Share My Cab, but... Oh, yes, indeed.

This Poirot did see.

What did you play?

The accordion.

For some years, you appeared in a repertory theatre company, Madame.

- Moiselle.

- Oh.

Pardon, Mademoiselle.

- The Methuselah Players.

- Yes!

How on earth do you know about that?

Oh!

They were happy times.

I have been speaking to some of your fellow actors and they tell to me that this company, it closed down not long after that season.

Yes, such a shame.

Oh, thank you.

Mm.

Merci.

Does the name Albert Whalley mean anything to you?

Whalley?

No, no, I don't think so.

Why, should it?

No, he...

It appears that he was a member of the audience very devoted to the Methuselah company.

In fact, he collected mementoes from the repertory season in 1924.

Oh, a fan, was he?

Oh.

Well, really, Mr Poirot, you can't expect me to remember all my admirers over all these years.

- Non, Mademoiselle?

- No!

I mean, for instance, only this past few weeks I've been sent all sorts of things.

Cards, flowers, champagne.

All from an anonymous admirer.

- Vraiment?

- Hmm!

This arrived just the other day.

A valentine in April?

Yes, I thought it was queer, too.

But you know what some of these fans can be like.

You permit Poirot to see?

Oh, here.

Merci, Mademoiselle.

"Until we meet again."

- Mm.

SHE CHUCKLES TELEPHONE RINGS Hercule Poirot speaks.

INDISTINCT VOICE OVER THE PHONE POIROT: Oui, Monsieur, an interview, it is possible.

Bon.

What is your address, Monsieur?

CHURCH BELLS TOLLING INGLES: What a difference a few weeks make.

JAPP: Quite, Sir.

INGLES: I sent away that journalist fellow with a flea in his ear... ..and now it seems he was right after all.

Bulldog Drummond come to life.

HASTINGS: And the best of men lies dead.

INGLES: Monsieur Poirot was a brilliant man.

Lord knows we could do with more like him at this moment.

HASTINGS: Is there any hope for peace, Sir?

This Big Four business has the entire international community on edge.

Do you have anything concrete to go on, Sir?

Nothing.

Li Chang Yen has put out a statement denying any knowledge of the Big Four.

Well, he would, wouldn't he?

HASTINGS: And Ryland and Madame Olivier are still nowhere to be seen.

JAPP: What about Number Four?

INGLES: Indeed.

How does one track down Death himself?

Poirot knew.

If only we could find out what knowledge he took with him to his grave.

He always liked things just so, didn't he?

Quite.

He was onto something, wasn't he?

He had to be.

I only wish I knew what.

I've been so wrapped up with all these new leads that have been coming in.

Poirot seemed quite content to go off and pursue things on his own.

I suppose he must have grown quite used to that.

Yes, I suppose so.

One thing we know for certain.

He was getting too close to the Big Four, so they eliminated him.

- Yes.

- Well?

- Well?

- Well, hang it all, Japp.

What are we going to do next?

- Eh?

We can't let Poirot die in vain.

We've got to stop them.

Now, hang on, Captain Hastings.

We can't be faint-hearted now, man.

Are you with me or not?

For Poirot's sake, together, we have to stop the Big Four.

Listen, these people mean business.

They'll stop at nothing.

If even Poirot couldn't stop them.

Good Lord, man.

I never thought I'd hear such conchie talk from you.

Well, if you won't do anything to stop these brutes, then I certainly will.

And I'll leave no stone unturned.

Good day.

So... What do I do now, old chap?

Good old Hastings.

Old soldiers never die, Mr Japp.

GEORGE: Sir.

Yes, George?

What is it?

A telegram has arrived for you, Sir.

For me?

Hello?

Anybody here?

Oh.

It's...

It's Miss Monro.

I've come for the audition.

It's funny, I was just talking about this place to someone the other day.

Strange to be back here after all this time.

I'm not late, am I?

Your letter did say four.

Hello?

MUFFLED GROANING Help... Help me.

Please.

What's going on?

HER BREATH TREMBLES What do you want with me?

MAN: Welcome, Miss Monro.

Welcome to the lair of the Big Four.

FLOSSIE: Oh, my God.

MAN: You've heard of us.

How gratifying.

Talk to me, Miss Monro.

Tell me all you know about the Big Four.

I don't understand.

Why... MAN: Waiting, Miss Monro.

You wouldn't want to disappoint me, would you?

I only know what I've seen in the papers.

MAN: What have you read in the papers?

Well... ..it's all run from China, isn't it?

MAN: Number One.

Go on.

Erm, then there's that American with all the money.

MAN: Number Two.

SHE GASPS MAN: Continue.

- Please, I... - Continue!

SHE SNIFFLES The French woman, erm... Madame... Madame Olivier.

MAN: Number Three.

And Number Four.

Tell me what you know of Number Four.

Nobody knows, do they?

Are you Number Four?

MAN 1 CHUCKLES MAN 1 LAUGHING MANIACALLY SHE GASPS MAN: Think back, my darling.

It has been some time.

Do I... know you?

MAN: All my gifts... ..the cards, the roses... they didn't bring back any memories?

You're my admirer?

You're... You're my fan?

MAN: Think, Flossie.

Think back to that season at this old theatre.

Fifteen years ago.

We performed together on this very stage.

Claud.

Claud Darrell?

It's... Is it really you?

It is, my love.

SHE STAMMERS Well, what's this all about, Claud?

I mean...

It's just a joke.

It's just a silly joke.

No, my dear.

It's serious.

Deadly serious.

I adore you, Flossie.

Don't you realise that?

I'd do anything for you.

I've done so much already.

All for you.

Do you remember what you said to me on that day?

What day?

It was years ago, years.

I don't...

I can never forget it, you know.

I asked you if I could take you out to dinner and you said... Oh, Claudie.

Don't be so ridiculous.

As if I could fancy someone like you.

You're such a funny little shrimp, aren't you?

No, I deserve the best, Claudie.

Someone who's gonna make something of himself.

Someone the whole world will remember.

CLAUD: ' "Someone the whole world would remember."

' But I was young, wasn't I?

I mean, I was young and foolish and full of myself.

The whole world will remember me now, won't they?

The whole world will remember the Big Four.

Li Chang Yen, Abe Ryland, Regine Olivier and me.

Claud Darrell.

Number Four.

The Destroyer.

Death himself.

You mean, you've done all of this, all of this... ..just for me?

Tell me you love me, Flossie.

Tell me you love me.

Tell me.

I think you're the most remarkable man...

I've ever met.

Let me take you away from here.

Just... Just one thing to take care of first.

POIROT: I think not, Monsieur.

SHE GASPS Oui, Monsieur.

Despite the best efforts of the Big Four... ..Hercule Poirot... ..he lives.

You're dead.

Dead and buried.

- Non.

It was all smoke and mirrors.

Is that not the expression?

But now it is time to bring down the curtain on the Big Four.

I rather think that'll be my decision.

All right, son, the game's up.

You've pulled off some stunts in your time, Poirot, but this beats them all.

- I should say.

I have much to explain to you, mes amis, but first, if you please, Mademoiselle.

Flossie.

Flossie.

Come on.

I think you'd better sit down, Sir.

TYSOE: What about these two?

Shouldn't we do something in case they... What's the matter with them?

One moment, mon ami.

What a pass in which we find ourselves.

The world stands on the brink of a conflict most terrible.

And what do we discover is behind it all... ..fomenting suspicion on a scale that is global?

A cabal most terrifying.

Puppet masters who threaten to plunge the world into war.

And yet, and yet... What was the first reaction of anyone who was told of the Big Four?

That it was like something from a storybook, n'est pas?

Bulldog Drummond.

Precisement, Monsieur Tysoe.

Precisement.

Because that is all it is, mes amis.

Mere theatre.

The Big Four are not real.

Non.

They exist only in the crazed imagination of one man.

That's not possible.

A man who would plunge the world into chaos because of a passion that is unrequited.

Albert Whalley... ..who was later to take on the stage name of Claud Darrell.

And who for the past few months has been masquerading as... ..Dr Quentin.

TYSOE: But what about Li Chang Yen?

And these two?

Li Chang Yen is as innocent as he claims.

And these poor unfortunate souls are merely pawns in the game, kidnapped and kept here, their disappearances orchestrated to throw suspicion onto them.

But why don't they say anything?

Because they are drugged, mon ami.

Drugged with gelsemine.

- Good grief.

- Oui.

The same drug that was used to anaesthetise Stephen Paynter before he was killed.

They are fully conscious... ..but their physical paralysis, it is complete.

But mercifully, it would appear in this case, the effect, it is only temporary, mon ami.

Everyone believed it, though, didn't they?

The Big Four?

Fleet Street, the police, the great British public.

POIROT: Oui, Monsieur, for some time even Hercule Poirot was taken in by your charade so deadly.

With your help, of course, Mr Tysoe.

What?

I just had to wind you up like a clockwork toy and off you went.

You and your little newspaper.

Spreading fear, confusion, hate.

An emotional soup, pulsing.

You really have been a most useful ally.

But my informer?

'The letters?

The playing cards?'

All sent from Monsieur Darrell.

So the fella who turned up with a knife in his back?

In reality, a tramp dressed in a theatrical costume, the clues of the playing cards planted upon him.

Reality, Monsieur Poirot?

Who is to say where fantasy ends and reality begins?

Well, let us speak of beginnings, Monsieur!

Act One of a drama so very strange.

Albert Whalley.

A boy... ..an orphan... ..poor and unloved... ..who was sent away to live with his uncle who was cold and aloof.

Albert Whalley is a name I haven't used in years.

Non, but an uncle who disapproved of your fantasies and your desire to... ..tread the boards.

All those years of listening to that old fool.

Going on about his precious Chinaman, Li Chang Yen.

I began to see possibilities.

- Oui.

But then you had the task most difficult, non?

To worm your way into the confidences of the members of the Peace Party.

CLAUD: Child's play.

I forged my references and quietly took up my position as Dr Quentin.

Paynter's condition, it's not really very difficult to research.

I'm an actor, Monsieur Poirot, and a bloody good one.

Oh, yes, indeed, Monsieur, your ability to blend in, to pass yourself off in all manner of disguises, which has proven so useful.

You have the genius of the character actor.

Help!

No!

No!

DULL THUD, HE SCREAMS Mr Tysoe!

MAN GROANS Savaranoff was killed to implicate Abe Ryland.

Your uncle died to throw suspicion onto Li Chang Yen.

And Stephen Paynter... ..who was innocent... ..murdered to incriminate Madame Olivier.

CLAUD: He was a weak fool.

His weakness was his conscience.

I merely persuaded him that it wasn't decent for them to continue their silly love affair.

That's all it was, then?

Diana Paynter overheard him ending the affair?

It had nothing to do with the Big Four?

- Indeed so, mon ami.

TYSOE: But why?

In God's name, what the hell was it all for?

For me.

Wasn't it, Mr Poirot?

Oui, Mademoiselle.

For the woman who spurned him all those years ago.

For therein lies your tragedy, Monsieur Darrell.

The very gift that could have turned you into the actor supreme, makes you forgettable.

The man who blends in.

The man whose name nobody ever can quite remember.

The man who...

HE PUFFS ..disappears.

Albert Whalley, Claud Darrell, Dr Quentin, Number Four.

Whatever you choose to call yourself, Monsieur... you adore the flourish that is theatrical.

You've got a nerve.

Comment?

All this.

You'd already worked out where I was.

You could have sent the police to arrest me at any time.

But instead you wanted your grand finale, show everyone just how clever you've been.

Oh, we're more alike than you think, Poirot!

Sit down!

GUNSHOT Nobody moves!

Don't be a fool, Darrell.

You'll never get away.

My men are surrounding the building.

CLAUD: If Flossie won't have me... ..then we're all going to go out in a blaze of glory.

FLOSSIE: Oh, my God.

Poirot... ..we've got to get everybody out of here.

One minute.

One minute... ..before I... ..bring down the final curtain... ..on the Big Four.

SHE GASPS - Poirot.

- You will not do it, Monsieur.

To do all this... ..for the love of one woman.

You will not send her to her grave, Albert Whalley.

You cannot.

SHE MOUTHS HIS BREATH TREMBLES JAPP: It's all right.

It's all right, son.

It's all right.

You've spoilt everything!

SHE SCREAMS You've spoilt it all, you insufferable little man!

But I am Number Four, do you hear me?

The Destroyer.

Death itself.

CLAUD SCREAMS JAPP: He's dead.

REPORTERS CLAMOURING MADAME OLIVIER: Good afternoon, gentlemen.

It is a source of great relief that after our terrible ordeal we are able to clear not only our own reputations, but that of the party as well.

RYLAND ON TV: 'Indeed.

'Li Chang Yen wants to reassure every civilised nation 'that we will continue to strive for world peace.'

MADAME OLIVIER: 'The Big Four has proved to be a fiction, 'but still we stand on a precipice.'

RYLAND: 'The situation remains grim, 'but if war does come, 'the powers of light will be united as one.'

I will have to eat some humble pie, naturally.

But I do have the exclusive story of Number Four to write, so that's some consolation.

Thanks for the opportunity to be in at the end, Mr Poirot.

I hope you've learnt your lesson, mate.

Check your facts before you print.

Incidentally... ..how did you work it all out?

Ah.

It occurred to Poirot for some time that this case had the flavour of the theatre.

And the label of the costumier, Max Berman & Sons was the first mistake of Monsieur Claud Darrell.

His scrapbook led me towards Mademoiselle Monro.

Of course, naturellement, he kept his eye most closely upon her, but when she met with me, Hercule Poirot... ..he panicked.

TELEPHONE RINGS Hercule Poirot speaks.

'I understand you've been trying to contact me.'

CLAUD: 'My name is Claud Darrell.'

Yes, indeed, Monsieur, in connection with your time at the Methuselah Theatre.

An interview, it is possible?

CLAUD: 'Certainly.

I can spare you a moment or two 'later on this afternoon.'

POIROT: 'Bon.

What is your address, Monsieur?'

CLAUD: 'Flat A, '41 Wilberforce Road, Islington.'

POIROT: 'At what hour?'

CLAUD: 'Shall we say four?'

POIROT: 'Parfait.

Au revoir.'

HE PANTS But I hoped that even if for one moment Monsieur Claud Darrell could believe that his plan had succeeded, then the subsequent realisation of his failure would be all the more devastating.

And Hercule Poirot, he was proved correct.

I still can't quite believe I managed to do it, convince him I was in love with him.

I warned Mademoiselle Monro that she would need courage and that it might prove to be most dangerous.

But, when the moment, it came, that Claud Darrell were to make contact with her again, as I knew that he would, we must be ready, oui?

It was the performance of a lifetime, Mademoiselle.

SHE CHUCKLES I had a wonderful director, Mr Poirot.

Merci.

Well... ..delightful as this all is, I need to get on and write my column.

I don't suppose you'd be interested in giving me an exclusive interview, would you?

"The woman who stole the heart of Number Four"?

Perhaps.

Maybe we could discuss it further, over lunch.

Don't mind if I do.

The performance of a lifetime certainly gives a girl an appetite.

So where do you fancy?

Simpson's is lovely.

I've not been there for a while.

Or we could go dancing.

DOOR SHUTS Mes amis?

Well, Poirot, we're... JAPP CLEARS THROAT ..we're pleased, you know, that... ..you're not, you know, dead.

Of course we are, but...

But why did you go through with this horrid charade, making us believe you'd been killed?

But it was vital, Miss Lemon, vital that you should believe it.

It was necessary for Poirot to disappear, because in this way, the guard of Number Four, it would be dropped.

George?

I'm sure you had the best intentions, Sir.

No man is a hero to his valet.

Can you ever forgive me, mes amis?

It was all for the best...

..I suppose.

But you know this affair of the Big Four, it has done some other good.

Has it not reunited me with all my oldest friends?

Almost all.

Because where is Hastings?

Where is Captain Hastings?

Well, there's been no sign of him since he charged off, I'm afraid.

Surely, he must have heard the news by now.

DOOR OPENS AND CLOSES Good Lord.

Poirot.

I thought you were dead.

Mon ami, Hastings.

POIROT LAUGHS Mon ami, mon ami.

It is the most extraordinary thing.

I was only saying... INDISTINCT CONVERSATION Subtitles by accessibility@itv.com